Book Review: Blood and Chocolate, by Annette Curtis Klause

Vivian is loup-garou, a child of the Moon, a werewolf, and she loves it. She relishes the thrill of the change, delights in running through the forest in the dark, feeling powerful and beautiful. She used to love being part of the pack, as well, until one of them killed a human, and vigilantes burned down their home, killing Vivian's father, the leader of the pack.

Now they have moved to a town, leaving their old lives and hopefully their fears behind. Vivian feels isolated and lonely. She wants friends. So when she finds a poem about werewolves in the school magazine, she is intrigued. The writer is human, but could he be the one to truly understand her? Will they fall in love?

Blood and Chocolate was first published in 1997, but for the most part it doesn't feel that dated. The review quote from Publishers Weekly on the front of my copy calls it 'as addictive as chocolate' and I have to agree, I really struggled to put it down! Vivian is a teenage girl with no self-esteem problems at all - she's hot and she knows it. She's very aware of her own sexuality and desire, and she sets out to seduce Aiden, the poem's writer, rather than waiting to be approached. She also pays a lot of attention to the politics of the werewolf pack, and her own role in the group - her confidence is tempered by her fear that it was her fault that her father died.

Whenever she's rejected or anyone attempts to order her about, she's angry and defiant. On the other hand, she desperately wants peace and longs to be able to run free with the pack without worrying that there is a killer in their midst or that they will be hunted by humans. These internal conflicts drive the story and make Vivian a compelling and unusual protagonist.

This novel is by no means perfect. It's hard to know what the author is trying to say about the gender politics of the pack for most of the novel, and ultimately a lot of those issues are unresolved. I guessed who the killer was before it was revealed.  I strongly disliked the ending and the resolution to the romantic storyline.

But I loved the energy throughout, and Vivian's refreshing confidence. I would recommend Blood and Chocolate with the caveat that there may be aspects of it that you really hate, but that overall it's very interesting. Definitely a book I want to discuss with other people.

Book Review: Killing the Dead, by Marcus Sedgwick

I hadn't read a World Book Day book in ages. I may have only read one World Book Day book previously - Shop Dead by Kate Cann, which was one of the books in 2001. It's about a girl who is obsessed with shopping and the way she looks, told from the point of view of a guy who takes her on a date. Kate Cann is amazing at writing teenage boys. I remember my sister got it with her voucher (I invariably forgot to use mine). Shop Dead is pretty dark, as is Killing the Dead.

Apparently Killing the Dead has some relationship with The Ghosts of Heaven, one of Marcus Sedgwick's full length novels, or at least they both heavily feature spirals. I didn't want to look into it too much in case of spoilers. I did enjoy Killing the Dead so I'm very intrigued by this and will have to give The Ghosts of Heaven a go.

At first Killing the Dead seemed like an odd choice for a World Book Day book. It's historical fiction, set in an American all-girls boarding school in 1961. I've always thought of World Book Day books as being aimed at reluctant readers, and the setting and time period won't be familiar to most teenagers, as you learn almost nothing about the Sixties at school. But then it got really dark. If there is one thing I believe about teenagers' reading preferences, it's that they love it when things get dark. I did. I still do.

Killing the Dead is set during the aftermath of the death of a schoolgirl, Isobel, and in the run-up to the school's annual Procession Day. We see this time from the perspective of different characters, slowly building up a picture of what Isobel was like and what might have happened. Then there's a twist that contradicts this picture and our assumptions.

I thought that both the build-up and the twist were very well done. It's a very short book - 117 pages of quite large type - and Marcus Sedgwick doesn't have a lot of space for characterisation but I found almost all the characters well-drawn and easy to imagine. There were two exceptions. Isobel is a mystery. Even when we learn what happened, she maintains some mystery, but this seems appropriate - she is, after all, dead. Margot, another schoolgirl, the new Procession Queen, apparently haunted by Isobel's ghost, is also a mystery, but it felt less like she should be. Her personality isn't really detailed until her role in Isobel's death is explained, which works for preserving the mystery, but as I was reading the chapters in the run up to the reveal I felt like I should have more of a handle on her character than I did. I couldn't really imagine what kind of girl she was and why she did things. I was left trying to fill in those gaps for myself without much to go on.

I'd love to discuss Killing the Dead so please let me know what you thought in the comments or tweet me!

A Garden of One's Own, or, Book Review: Return to the Secret Garden (Return to the Secret Garden Blog Tour)

The Secret Garden is one of my favourite books of all time. It's certainly my most reread book, my copy boasts a heavily creased cover and spine as well as yellowed, torn pages. When I was a teenager I had a habit of reading just my favourite scenes in books over and over, so until quite recently it had a bookmark in it at the scene where Colin gives a lecture about Magic. When I reread it in preparation for Return for the Secret Garden, I was slightly underwhelmed by that scene - I'd mythologised it in my head, remembered it as longer, more dramatic.

That's what I do with my favourite parts of my favourite books and films and songs, especially when I haven't revisited them in a while. Those scenes or dramatic moments become bigger to me than they are, and I forget the rest of what made them so great. As I reread, or rewatch, or relisten, I reevaluate it, and the thing as a whole, and this often leads to surprising revelations. See my previous post about Harriet the Spy - in that case I thought I loved best the parts about sneaking around and spying on people, but it was the stuff about writing that really sunk in.

Anyway, remembering that scene so fondly, I thought what I loved most about The Secret Garden was the Magic. Wrong again! As an adult, reading it, I realised what actually I loved most is the secret garden! (And this isn't just because I've recently become obsessed with plants.) I love seeing private spaces. Photographs of lived-in houses. Scenes in films with carefully constructed and personalised rooms - the teenage bedroom, the shop the character owns and decorated themselves. At night, on the top deck of a bus, I look out for open curtains and gleefully stare into other people's houses.

Mary Lennox is a girl who doesn't have anything of her own, a space where she can be herself. Her bedroom is a place she is brought to and taken out of on the orders of others - but the garden she finds by herself. It's her sanctuary. On this reread, I was actually slightly disappointed when she starts letting other people in!

My much-loved copy of the original book. View on Instagram.

Return to the Secret Garden is set thirty years after the original, and follows another young girl's search for a place where she belongs. Emmie has never really had a proper space of her own. She lives at an orphanage, where she shares a dormitory with other girls. To snatch some privacy, she climbs through a window onto a rickety old fire escape. It's there she meets a stray cat, the first thing she has that's really hers (as much as a cat can be owned!). But then along comes the Second World War, and the orphanage is evacuated. Emmie has to leave her cat behind and travel a long way to a strange old house in Yorkshire, one Misselthwaite Manor.

I was a little apprehensive about reading a sequel to a book I love so much, but I found Return to the Secret Garden charming. It was great to see another little girl find a kind of home in the garden, even though it's no longer locked, and she has even less right to it than Mary, being an unconnected orphan, rather than the niece of the manor's owner.

Like Mary, she is grumpy and sometimes rude, but also very determined once she gets an idea in her head, and I loved all these characteristics in Mary. Many people prefer Frances Hodgson Burnett's A Little Princess to The Secret Garden, but I am a Secret Garden person through and through. It helped that I actually owned a copy of The Secret Garden. I read A Little Princess one time and returned the book to the library. I  saw the film once for my birthday. That was enough (though when I rewatched it as an adult, it did make me cry).

Sara, the 'little princess', is too good to be relatable, she's always kind and sweet, no matter what happens. Whereas Mary gave me hope - that even if I wasn't perfect, I could be likable, and I could try and improve. Emmie is the same. She's an orphan, but she is neither tediously pathetic or overly good. She seems realistic, as do all the children, who fight and fall out but ultimately help each other out.

My least favourite part was seeing the children of The Secret Garden as adults, but that might be only because I have never ever imagined them grown up! I think children reading this after the original won't find it jarring at all.

I'm sure I would have enjoyed reading Return to the Secret Garden as a child - it takes some of the best features of the original and puts them into a familiar yet strikingly altered setting. It's a cute, quick read. Many thanks to Scholastic for sending me a review copy (it's a particularly gorgeous little hardback) and to Faye Rogers for inviting me to be part of this blog tour.

Have you ever read a sequel to a children's classic that wasn't by the original author? What did you think? Don't forget to check out the other stops on the tour and enter the giveaway! Yes, Scholastic are giving away a copy of The Secret Garden by Francis Hodgson Burnett and a copy of Return to the Secret Garden by Holly Webb to one lucky blog tour follower!


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Book Review: The Sweet Far Thing, by Libba Bray

This book is the third in a trilogy and therefore this review will inevitably contain spoilers for the first book, A Great and Terrible Beauty, and the second, Rebel Angels.

Circe defeated, all should be at peace, but the events of Rebel Angels have left Gemma unable to create the door of light and enter the realms. Try as she might, nothing works until she is drawn to a strange stone, uncovered during the rebuilding of the East Wing of Spence Academy. It turns out to be another way in, and she enters the realms once more to find all is not as it was. All too soon, Gemma, who now holds all of the power, is being threatened by the Order, the Rakshana, and the forest folk of the realms. They all want control - or at least a share - of the magic.

Gemma is desperate to delay her decision and hold on to the power for long enough to sort her life out and help her friends. While Gemma and Felicity go back and forth between Spence and London, preparing to finish school and make their debuts as young society women, worrying about getting their curtseys right when they are presented to Queen Victoria, Ann dreads her future life as governess to her cousin's horrible children.

The Sweet Far Thing is a long book. Eight hundred pages. It took me weeks to finish it, and I have to admit that I think that it's a little bit too long. Don't get me wrong, I enjoyed it a lot, but there was a lot of going back and forth and long scenes where very little happened, and as much as I loved the world it was set in I got a bit frustrated waiting for something to happen as Gemma spent day after day being indecisive.

Once everything does start to happen, it became a real page turner. I read most of the last half of the book in a day, but getting to that point took ages. I think the previous two books, both of which are shorter, have much tighter plots, although Gemma is always torn between different paths of action.

Gemma has always been an interesting narrator, a character who stands apart from all the world both because of her power and because she's a upper-class English girl who was largely brought up in India. She doesn't fit in anywhere and can't quite understand the rules of any society. She becomes even more interesting in The Sweet Far Thing as the most powerful being in both our world and the realms. She doesn't want to abuse her power but she gets carried away by it on several occasions and uses it to get what she wants.

I think the characterisation of Felicity and Ann is great. I loved seeing them reveal tough truths and plan their  lives. Miss McCleethy, my favourite Spence Academy character, with her sharp tongue and mysterious past, is underused, but I loved all the minor characters, old and new, especially Ann's heroine, Lily Trimble. Even Fowlson, the mean thug from the previous books, gets some backstory, which is refreshing.

The ending is controversial, and I don't want to spoil it. I'll say that I hoped for a different ending when I started reading the book, but that at the end, it seemed appropriate and like it was inevitable. The series as a whole won't be to everyone's taste, but it ticked a lot of my boxes.

I would recommend the Gemma Doyle trilogy to fans of fantasy-tinged historical fiction - but be warned, it is long! I'd actually suggest getting ebooks of the second and third books, because even the paperbacks are massive and difficult to tote around.

Book Review: Red, by Alison Cherry

Scarletville, the USA's only redhead sanctuary, is a place where the redder your hair the better. Redheads get special treatment everywhere and brunettes and blondes are second-class citizens. No-one knows this as well as Felicity St John, whose stunning, deep red hair is entirely responsible for her place in life. Her beautiful hair, the envy of many of her peers, has gotten her one of the highly coveted places in the Miss Scarlet pageant. All Felicity's life, her mother, Ginger, has been training her to win the pageant and make them the first mother-daughter Miss Scarlets in history. But one day, Felicity recieves a terrifying message - someone at her school knows her deepest, darkest secret - Felicity's hair is dyed!

As you might assume from the description, Red is a book with quite a silly sounding premise. I thought it would be campy and fun and it was, but not to the extent that I was expecting. There are also some more serious elements to the story. When one group of people has privileges because of the way they look, you can’t help but draw parallels with real life race issues, especially as most redheads are white. Over the course of the novel we get to find out more and more about how hard life in Scarletville is for non-redheads, and Felicity slowly begins to have more sympathy for them as she worries about being outed. One of her best friends, Haylie, is quite nasty about non-redheads and doesn't change her tune during the novel, but is still someone Felicity loves and wants to keep being friends with. I really wanted some sort of comeuppance for the snootiest redheads, but there isn't any. I'm naturally opposed to any sort of injustice, but on the other hand, maybe it's not important, as Scarletville is just a small town, and the world outside of Scarletville is supposed to be just like the real world, so maybe the price the queen bee redheads pay for their status is being stuck in Scarletville! I'm not sure how I feel.

It took me a few chapters to get into the story, but once I did, I enjoyed it a lot, thanks to the fabulous characters. Felicity's little brothers are adorable and her mother is...difficult, to say the least. The best friends, Ivy and Haylie are lots of fun. I thought the character that was blackmailing Felicity was very interesting and I really wanted to know more about her - I would love to hear the story from her point of view! The drama is mostly fuelled by personality clashes and by Felicity's increasing desperation as she feels like the person who is ordering her around wants to destroy her life.

I wasn't entirely convinced that Felicity would be as oblivious to the world outside Scarletville as she is at the start, but then if Scarletville had offered her everything she wanted during her life so far, maybe she would never have bothered to look outside it.

I did enjoy Red, although it wasn't quite what I was expecting and I felt like some elements could have been fleshed out more fully. I'm looking forward to reading whatever the author does next.

Many thanks to the publisher, Quercus, for giving me the chance to read Red via NetGalley.

Book Review: Nick & Norah's Infinite Playlist, by Rachel Cohn and David Levithan

Nick, teenage boy and bassist in an average queercore band, looks down from the stage one night and sees his newly-ex-girlfriend, Tris in the crowd. He can't bear the thought of having to exchange greetings with her and the guy she is standing with, so he turns to the girl next to him, and asks her to pretend to be his girlfriend for the next five minutes.

Norah has a lot on her own mind - her future, music, her own Evil Ex - and if it were just her she had to look after, she'd tell Nick where to go, but he might have a van or a car, and she needs to get her drunken friend Caroline home in one piece...

My first ebook! I really liked this, it was just the kind of YA book I'd have loved as a teenager - people, cooler than me, having relationship issues and new romances, swearing a lot, and participating in makeout scenes that give those in Diary of a Crush a real run for their money! Phew!

Nick and Norah's Infinite Playlist, as you might expect, is told from the alternating perspectives of Nick and Norah. I preferred Nick's narration, as I expected. I've read solo books by Rachel Cohn and David Levithan before and I like David Levithan's writing more. But even though I didn't like her narration quite as much, Norah was still an interesting character with an enjoyable voice.

Both Nick and Norah tell their stories in a style that is very stream-of-consciousness, and at times I found this hard to follow, especially as the whole story takes place over the course of one night/day and the pace varies a lot. Every now and then I'd have to stop, go back a few pages and re-read to remind myself what was physically going on.

I really liked the secondary characters. There's a whole cast of weird and wonderful individuals who show up, disappear, and re-appear throughout the novel. I loved that although Tris seems pretty horrible at first, nicer sides to her personality are revealed later on.

I saw the film adapation of Nick and Norah's Infinite Playlist, with Michael Cera and Kat Dennings (object of much girlcrushing) a few years ago and really liked it. The book is quite different - the film has more of a plot beside the romance - but they are both enjoyable in their own right.

Book Review: Witch Finder, by Ruth Warburton

Luke Lexton is pleased to be finally old enough to become a member of the Malleus Maleficorum, a secret brotherhood of men sworn to rid the earth of witches. His initiation ceremony involves three trials, the first two take place that evening, but he is given a month to complete the third and final task: kill the witch selected at the ceremony, or his own life will be forfeit. He is nervous, but determined - the witch is only a teenage girl, though she comes from what is known to be one of the most powerful families.

The girl is Rosa Greenwood, whose formerly wealthy family of witches are now depending on her to make a good match and secure their social and financial standing. Although she doesn't feel ready for marriage, they have chosen the man they want her to persue, and she wants to save her family's country house and hold onto the happy memories of the place from when her father was still alive.

In order to get close enough to Rosa to kill her, Luke becomes a groom in the Greenwood household. But when he meets her, he discovers that she is not heartless and cruel, like the witches that he has been brought up to hate, and his resolve begins to weaken...

Witch Finder is a prequel to the Winter trilogy, which I haven't read yet, so I was a bit concerned that I would be diving into a world that I wouldn't understand. Happily, this wasn't the case at all.

The story is told with alternating points of view. Rosa and Luke, the two narrators, come from very different backgrounds and contrast nicely. I preferred Luke and thought he was the stronger of the two characters. Rosa is kind and sweet and therefore most interesting when she is angry! I'm looking forward to seeing her develop. Hopefully we'll get to see a lot more of her magic.

I really liked the way in which fantasy is blended with historical realism. Rosa, as a young woman in the Victorian era, does not have a particularly pleasant life. Her family are upper-class witches with very little money, so Rosa has many rules to obey and social pressures to conform to, and must dedicate a lot of time and energy to hiding the fact that she is on the verge of poverty. Marriage will mean giving up any independence as once married, her husband will own her and all her property. Her mother and her brother, Alexis, want to marry her off to stabilise their own financial and social positions and don't care about her future happiness. There are quite a few scenes that I found difficult to read, when characters act particularly cruelly towards each other, but they gave the story a lot more gravitas than it otherwise would have had and I'm glad they were included. I also liked the details about servants and factory work.

My main criticism is that there was not much explanation of how magic works in this world. At one point Rosa mentions childhood spells, but doesn't explain how witches learn to use magic, or where it comes from. Rosa is more powerful than her mother and brother, and I wondered why. However, I expect that the Winter trilogy covers this, so many readers probably already know all about the rules of magic and don't need a second explanation here.

I wasn't a massive fan of the romance, but it is more of  a slow-burner than an instalove, and I'll be interested to see what turns the story takes next in the sequel, Witch Hunt, out later this year.

Many thanks to the publisher for allowing me to read Witch Finder through NetGalley.

Witch Finder was the Bookish Brits Book Club choice for February 2014! Find out what we all thought of it by watching the video below:

Book Review: My Dirty Little Book of Stolen Time, by Liz Jensen

It's 1897 and lady-of-the-night/morning/afternoon Charlotte comes up with a brilliant idea to enable her to afford enough fine dresses, food, and schnapps to get through the cold winter. She and Fru Schleswig, a woman who followed her to Copenhagen from the orphanage she grew up in, claiming to be her mother, will clean the home of Fru Krak, a local widow with delusions of aristocracy. Fru Frak, soon to be married to a pastor, is fond of daytime shopping trips; with her out of the house, Charlotte will steal and sell as many of the Kraks' valuable ornaments and household goods as she can.

But after Charlotte hears some intriguing stories about the missing and presumed dead Professor Krak, she can't keep herself from investigating the mysterious locked basement. What she finds there is a device that saves her life and transports her, rather roughly, across time to modern day London, where her adventures continue in a way she could never have imagined.

I had a lot of fun reading My Dirty Little Book of Stolen Time, and it was a great choice to take on holiday. I loved the premise, along with Charlotte's personality (though not her penchant for ampersands) and shameless money making-schemes. She is a very funny narrator, vain but charming, bold and cunning. But as the story progresses, she becomes less active and more of an observer, and although I still enjoyed it, I felt that some of the magic was lost as the tale progressed.

I think it was largely the fault of the love story, which seemed very rushed. Charlotte meets her lover, and in the space of a few pages, they are in a serious relationship. It seemed like the author wanted to focus more on the time travel, which would have been fine except that Charlotte has little interest in either the mechanics or in actually travelling all over time and the world. After some initial excitement, she doesn't even seem that thrilled by modern-day London, and she doesn't spend much time exploring it, which was a shame because I really wanted to see what she thought about my home. There are other characters that do more in the way of time travel, but we only find out what they got up to through Charlotte.

I would still recommend it to people looking for an amusing, easy read. It's an entertaining, silly adventure, with a few mysteries along the way.

Book Review: Speak, by Laurie Halse Anderson

Speak is a difficult book to review. So many other blogs and articles have featured it before that I am afraid that I will have nothing more to add to the conversation; however, it is a book that should be talked about often, and I will try to explain why!

Melinda, the narrator, is just beginning her first year at high school. She has no friends because of an end-of-summer party that went wrong when Melinda was raped by a older, more popular boy. She called the police but left the party before they arrived, and has never explained her actions. The other teenagers blame her for ruining the party and getting them into trouble, while Melinda's parents don't know what's wrong and get annoyed at her for being withdrawn. Speak is about how Melinda retreats into silence before finally finding her voice.

What I liked most about Speak is that it's not a harrowing read. Obviously, due to the subject matter, it can be uncomfortable at times, but Melinda is a witty narrator, which lifts the tone enough to stop it being relentlessly depressing. Her silence is largely due to fear and shame, rather than actual bullying. Her isolation is at least partly self-imposed. She thinks that nobody will understand what happened to her, and for a long time she tries not to think about it. She can't explain it to anyone else because she can't explain it to herself. Once she thinks about what has happened, and accepts it, she starts to be able to find the strength she needs to tell other people.

I also really liked the characters at school that Melinda interacts with. Her art teacher is a fantastic character, dealing with his own anger at the school board through his work. I also thought that Melinda's former friends were well-developed, interesting and believable characters.

It's not a book that I will read again - this isn't a criticism, because I don't think it's that sort of book. It's very much an 'issue' book, honest and realistic, but there are no exciting plot twists or enthralling love stories to entice me to re-read it. I think that the message it sends out is important and am appalled by the controversy - this is just the type of book that school libraries should stock.

Book Review: The New Girl, by Emily Perkins

In an unnamed town, during a hot, dry summer, Julia, Chicky and Rachel are celebrating the end of school and waiting for the exam results that will determine their futures, whilst trying to decide what to do next. Although their town is dull - so boring that they sign up to a free class at the local library - it's a difficult place to leave. Everything they've ever known is here, and only Julia really thinks that she might leave, inspired by Miranda, their beautiful, charming new teacher.

But Miranda is no angel, having come to escape the city, and the mistakes she made at university. She seems like a positive influence, a breath of fresh air with big ideas and pretty dresses, but the longer she stays, the more her darker side comes out, and her presence cannot remain benign.

The main protagonists are Julia and Miranda, though the novel cycles through many other points of view. I found them both really interesting. Miranda is a narcissist dressed up in Manic Pixie Dream Girl clothing - black hair, fringe, and all. She enjoys inspiring people and getting them to adore her. She's convinced that she knows best and doesn't care about the emotional fallout of her actions. Julia is naïve but intelligent, and she knows that she has to leave the town if she wants to do anything really exciting with her life, though she has a strong emotional connection to her friends and family, especially Chicky, Rachel, and her mother.

I also loved reading about Julia's mother, Mary, who had Julia when she was young, and is now a kind woman who loves her daughter and husband, but is aware of everything she missed out on by staying in the small town. She struggles with her husband's lack of interest in their daughter, and with the possiblity that Julia might leave.

There were some characters that I would have liked to read more about, and some scenes that seemed skipped over. When Miranda first comes to the town, she goes to meet the local women, most of them mothers, at a party hosted by the woman who hired her to teach, Gretchen. We only get to read about the party before Miranda arrives, and I would have liked to have seen how it went. I would also have liked to find out more about Chicky and Rachel, especially Chicky, who is brash and brave and yet seemingly content to stay in the town.

I'd like to read more books that deal with these type of issues - books about deciding what to do next, about the mistakes new adults can make when dealing with people who have been adults for a lot longer than they have. If you like the idea of 'New Adult' but not the fact that most of the books sold under that category are romances, give this a try and let me know what you think, though it is literary fiction - rather than NA or YA - because the story is sometimes told from the parents' point of view. If you have any recommendations for me, please do leave a comment!

Book Review: Milk, Sulphate and Alby Starvation, by Martin Millar

My most mundane review photo yet?

I was still ill when I finished Persepolis. I wanted to keep reading, but I didn't want to dive into anything too long and taxing in case my slightly-feverish brain couldn't keep up with it. I surveyed my shelves until I spotted Milk, Sulphate and Alby Starvation, Martin Millar's first novel. I read the book that he is  probably most well known for, The Good Fairies of New York, a couple of years ago, and have slowly been collecting more of his work. Milk, Sulphate and Alby Starvation is very short - 152 pages - and knowing that it was likely to be easy going, surreal, and silly, I decided that it was perfect for the occasion.

Alby Starvation, the main character, is a small time drug dealer living in Brixton, hiding from an assassin sent by the Milk Marketing Board. At first I thought he was just paranoid, but as the book switches viewpoint and introduces all the other characters, we find out that there is a Milk Marketing Board, and that they are pretty evil. It's not all so unrealistic. There is also a supermarket manager who mainly just wants to buy a hot tub, and his wife, dreading it. Two men, one desperate for attention, the other a master of meditation, battle each other in the video game arcade, with a crowd of fans cheering them on.  Professor Wing is secretly hunting for the crown of Ethelred the Unready, having stolen council equipment for digging up roads. Okay, I'll admit, that's a weird one, but June, the Brazilian assassin, is pretty normal, except for that whole killing people business!

There is only a little magic, in the form of a nurse with healing powers, but most of the events have at least a touch of the surreal. I did find it a bit confusing at the start, as there are a lot of different characters and the narrative jumps around in time a bit, especially in the sections from Alby's point of view. It's very fast paced, but eventually everything falls into place.

If you like stories in which one coincidence after another pushes the characters together in ever more entertaining ways, you'll probably love this. If you need a clear and definite plot and don't like silliness, this won't be the book for you, especially as it ends quite suddenly. Little is resolved, but there are clues that suggest how the characters will end up. The Good Fairies of New York has more of a plot and a more linear narrative, so if you're not sure, try that one first.

I finished this book in a much better mood, and resolved to a) make more of an effort to track down copies of Martin Millar's other books, and b) convince more people to try his work! I should probably hurry up and review The Good Fairies of New York already...

Book Review: Persepolis, by Marjane Satrapi

I'd wanted to read Persepolis for quite some time, even before I saw the film. I had vague intentions of getting it out of the library, but my to-get-from-the-library list is about a mile long and has to compete for attention with all the books I own. Happily, I got given a copy as part of a Secret Santa, so it managed to jump the library queue. Yay!

Persepolis is a (slightly-fictionalised according to various sources) memoir in two parts, which were originally published in French. The edition I have from Vintage Books collects both parts in a trade paperback, but it is also available from Pantheon Books in a larger format. The first part, 'The Story of a Childhood', follows the author's childhood in Iran, following the Islamic Revolution and exploring how her everyday life was altered. She becomes more and more rebellious when she reaches her teens, and her parents decide that she will be safer and happier if she goes away to school in Austria, which is where the second part begins. 'The Story of a Return' is about her experiences in Austria, and her decision to return to Iran.

Successful memoirs feel honest, and Persepolis certainly does. Marjane Satrapi shows herself and the people she loves as flawed human beings, and therefore I found it easy to trust her impressions of people who treat her or other people badly. Persepolis balances the serious, unflinching depictions of wars and revolutions with humour and details about her family life - I cried a couple of times but I laughed a lot more.

I loved all the little snippets of Iran's history. The school curriculum in the UK treats British history as if it's the history of the whole world, while simultaneously leaving out most of the parts of British history that are actually important to world history, ie. all the unsavoury details about the British Empire. I feel like there is a shamefully huge gap in my knowledge and I actually really enjoy learning about history when it's not confined to the World Wars. What is great about Persepolis is that the historical details are interwoven with the author's life - they are things that she learnt about in childhood, or that she explains briefly to the reader so that the surrounding parts of the story make sense. It made me want to find out more.

I started reading Persepolis when I was ill - I was feeling dizzy and wanted something that would be easy to follow, and that would take my mind off of all the things that I was incapable of getting on with. It was the perfect choice, and has left me with a craving for more graphic memoirs. If you have any recommendations, please leave me a comment!

Book Review: Mockingjay, by Suzanne Collins

Warning: this book is the third in a trilogy and therefore will inevitably contain spoilers for the first two books, The Hunger Games and Catching Fire.

District 12 is no more and Katniss and her family are now living underground in District 13, which is preparing for war with the Capitol. Everyone is expecting her to live up to the name she was given, and act as the figurehead for the revolution, the Mockingjay. But Katniss is as distrustful as ever, and with everything she's been through, it is a role she reluctantly accepts...

I'd been avoiding spoilers ever since Mockingjay came out but I managed, nonetheless, to get the impression that it was a controversial ending to the trilogy. Some people love it, others hate it, and still more think that it was okay, but would have preferred things to go differently. I wasn't sure what to expect. I knew what I wanted to see more of, and prepared myself to be disappointed.

I wasn't. I really liked it. I thought that it made sense, and stayed true to what the author wanted to get out of the story. I don't think that the Hunger Games are reality television taken to its most drastic extreme. I think that they are a more honest and direct version of what happens in real life. The Hunger Games are war in miniature. In our world, politicians, kings, and whatever else we call them, entertain themselves and gain glory by waging wars on each others' territories, largely by making other people's children fight each other. In my opinion, The Hunger Games, Catching Fire, and Mockingjay tell a story that is essentially anti-war, and the most effective way to persuade people of the horrors of war is to show us the havoc that it wreaks upon the minds and lives of those that fight it. Therefore, what I wanted and expected was to see more of the victors. I wanted to find out in more detail how being in the Hunger Games had affected them, and I did. I wasn't that concerned about the 'love triangle' or even what happens at the end of the war, but as it turns out I approved of those endings completely.

Some readers think that Katniss isn't as 'strong' in Mockingjay, but I never saw her as weak. She has been changed by everything she's been through, but that's realistic! If she just continuously kicked butt all the time it wouldn't be as exciting and interesting, and I think she became a more rounded character in this book. She thinks more carefully before she acts, and gets better at listening to other people. However, I don't think that she has essentially changed all that much.

I really liked that we got to see a lot of political intrigue. Seeing how District 13 produced their propaganda went some way towards explaining how the Capitol kept control for so long.

My most major criticism would have to be that, as with the other two books, the pacing isn't very even. I hink that this is even more obvious in Mockingjay, where it speeds up so much towards the end that I found it a bit difficult to remember everything that was going on. and to keep track of the passage of time. I also found the earlier chapters a bit disjointed, thanks to the lengthy mental tangents Katniss went off on. I could see the purpose of these sections, but they (especially the one about 'The Hanging Tree') could have been shorter and more neatly written.

There are two things that I'm not sure about. The first is the speed of the final events. I felt that everything whizzed by, some action scenes were missing, and I wanted to know more about the political mechanics, but on the other hand, I don't think that the book was ever going to go into great detail on that, because it's narrated by Katniss, whose interest in politics is minimal. The other is the epilogue. I feel like the chapter before would have made a good ending on its own, but the epilogue does revisit an imporant issue from book one, although I'm not quite happy with the way it turned out.

What did you think?

Book Review: Diary of a Crush: Sealed with a Kiss, by Sarra Manning

Warning: this book is the third in a series, and will inevitably contain spoilers for the first book, French Kiss and the second, Kiss and Make Up.

So Edie and Dylan are back together again and seem to have achieved some level of stability. There's no more sneaking around and kissing other people - but there's a dark spot looming on the horizon. Edie is due to head off to London for university in September while Dylan has to finish his own degree in Manchester. To make the most of the summer, they decide to blow their combined savings and go on the road trip across the USA that they've always talked about. Across the ocean, with no friends nearby to help them blow off steam, spending long days with only each other for company, their relationship becomes difficult once again. Will they work past it, or finally break up for real?

The third in the trilogy, Sealed with a Kiss brings another change of tone and atmosphere. Whereas French Kiss featured just-out-of-school Edie playing hard to get with an equally difficult Dylan, and Kiss and Make Up was all about heartbreak, fighting, and lust, Sealed with a Kiss is about adulthood and big decisions. Edie's patience is put to the test as Dylan finally starts to open up and confront his past. I think this is handled really well, and shows how both characters have developed in the last few years.

In Kiss and Make Up we saw a few of Edie and Dylan's e-mails to each other, but in Sealed with a Kiss, Edie regularly e-mails Grace, who has taken over guitarist duties in Mellowstar and has a crush of her own. This was originally the set-up for Grace to become the new diarist in the J-17 column, and you can read her diary entries in the e-novella Diary of a Grace, though I'll warn you that it ends too soon! Sealed with a Kiss also features e-mails between Dylan and Shona, which I loved. I think that their friendship is one of the best in the series, much as I love Poppy and her girl gang.

But it's not all serious business as Poppy acquires an amusingly odd boyfriend in Jesse, the band perform in front of an audience, and D and Eeeds see the sights of America and enjoy being young and in love. There's plenty of fun amongst the angst, though I always find it bittersweet as I know the end is nigh.

The spine of my copy of Sealed with a Kiss is still unbroken, and the pages are only slightly warped, whereas my copies of French Kiss and Kiss and Make Up are worn and battered-looking. I haven't read Sealed with a Kiss that often, compared with the other two books, and I think that my reluctance to reread it comes partly from wanting to avoid the end. Rereading the first two books, there's always more to come, but although Sealed with a Kiss has probably the most perfect ending that this trilogy could have, it's still an ending. There are glimpses of Edie and Dylan in Diary of a Grace (or at least there were in the columns!), but Edie never picks up her diarist's pen again.

However, I know I've also avoided rereading it because I read the road trip section too many times in my mid-teens. It was originally a free-gift book, American Dream, and I adored it, despite having missed both previous books and knowing almost nothing about Edie and Dylan's history. Seriously. I reread it every couple of months and took it on holiday with me a couple of times just so that I wouldn't be without it.

[I know. Wasn't there a library in my town? There is a library in my town! It's great! But back then contemporary teen fiction books were these tiny thin things that you could read six of in an afternoon - not an exaggeration, I did this every third Saturday after my library trip. American Dream was far better than any of them.]

As you might imagine, by the time I got my greedy hands on the Bite edition of the trilogy in 2004, I knew American Dream almost by heart, and despite my love, I was kind of sick of it. So I read Sealed with a Kiss hungrily up until the part where I recognised the entries and then I flicked over the rest! I've read it again since but it was quite hard to make myself do it.

What I'm trying to say is that I hope the teens of today love this series as much as I did and read it over and over until they're nearly sick of it. I then hope they stop and go read something else for a bit before they return, and that they lend their copies to their friends, and buy more copies as presents for their younger cousins! I loved it as a teen, and despite its age and change of format, I think that it stands up well today, as a fun, addictive, fast-paced and romantic trilogy (plus novella). Dylan is still the ultimate book boyfriend, and Edie the coolest fictional girl in the world.


Previously: A Top Ten Tuesday and discussion post about 'toxic' boys like Dylan.
Next up: I wrote about how much I wanted to be cool, and how J-17 was a massive influence on me.

Book Review: Diary of a Crush: Kiss and Make Up, by Sarra Manning

Warning: this book is the second in a series, and will inevitably contain spoilers for the first book, French Kiss

Edie has achieved what she once thought impossible - Dylan is her boyfriend! Unfortunately it's nothing like she anticipated - he's still moody and difficult and sometimes she misses the time when they were just friends.  But when her trust in him is shaken and they break up, she's heartbroken. Just when Edie thinks she's over it all, she meets Dylan's beautiful, controlling new girlfriend Veronique, and becomes determined to get him back again - until Veronique's sly, brother Carter takes an interest in her...

Kiss and Make Up is my favourite of the series to re-read; French Kiss' darker, deeper and naughtier elder sister. The college drama is replaced with personal angst as Edie tries to make up her mind about what she wants from Dylan. Yet again, Edie tries to date somebody else, but she struggles to stop cheating on the standoffish, smug Carter with Dylan, and lets Dylan cheat on Veronique with her. In most stories, I can't stand cheating, but Veronique and Carter are both such fantastically horrible people that I don't mind. There are few bad book boyfriends (although he refuses to let Edie call him her boyfriend) as secretively vicious as Carter, and his sister Veronique is an extraordinarily evil drama queen. They make excellent antagonists, and I just love reading about the havoc they wreak.

I don't think that it's quite as fast-paced as French Kiss, and the relationship drama does spin in circles for a while, eventually reaching an uncomfortable plateau right before the music festival, when of course it all kicks off again. Some of the secondary characters from the previous novel take on a more minor role (Nat, Trent, and to some degree Shona), but Edie finds a new best friend in wannabe-rock-goddess Poppy, whose entourage includes boy-mad bandmates Darby and Atsuko and shy, sidelined little-sister Grace (the girl who has a diary novella of her own).

If you loved French Kiss, you'll probably love Kiss and Make Up - it's got more angst, more lust, nastier villains and some undeniably hilarious moments. What Edie writes after meeting Veronique makes me burst out laughing every time!

There should be more books set at music festivals. I've only read two, ever - this and Festival, but it makes a great setting and a convenient method of getting parents out of the way!

This review is based on the 2004 edition - there may be minor changes in the 2013 release.



Previously: I played dress-up Edie!
Next up: A discussion post and a Top Ten Tuesday all about toxic boys!

Book Review: Diary of a Crush: French Kiss, by Sarra Manning

Edie Wheeler has just moved to Manchester with her parents and cat and is starting college for the first time. Everyone else there seems to know each other and she feels left out of everything. Spotting Dylan, a gorgeous art student, the boy of her dreams, only seems to make things worse as she feels sure she'll never get to know him. Frustrated with her lack of friends, Edie signs up for a photography class, where she is forced to work with Dylan, but she can barely speak in his presence and she doesn't have any good ideas. Dylan and his friend Shona just seem so much cooler than Edie could ever be. Then she starts talking to Mia, who is dating Dylan's friend Paul. It's a relief to finally have a friend, but Mia isn't at all helpful when it comes to her crush and when Dylan kisses Edie, then ignores her afterwards, she doesn't know what to do.

I've read this book so many times before that I've lost count, but when I received a copy of the cute new edition published by Atom Books I decided to read it and see how it holds up. I still found Edie to be a witty and engaging diarist. I like how she doesn't shy away from sharing the embarrassing things she does, and how self aware she is after she does something silly like throw a stereotypical teenage strop. Although she begins the diary as a nervous, self-conscious narrator, she stands up for herself when she needs to, even if it takes a long time for her to build up her resolve sometimes.

Of course I loved Dylan, as usual, but this time around he seemed more awkward, which actually made him more endearing in a strange kind of way. Edie knows what she wants, it's Dylan who is confused and flighty, and both of them act like inconsiderate fools when they're in the mood. I also still loved all the other characters - Shona still seems like a paragon of hipness, Nat and Trent are adorable (I always miss them in the following books, where they fade into the background). Josh, Edie's Dylan-substitute-boyfriend is endearingly deluded - I just wanted to take the poor boy aside and tell him to lavish his affections somewhere else. Villianous Mia's personal delusions are not so sweet, but I do feel sorry for her, and suspect that she wouldn't be playing games for attention if she had any friends.

The story is very fast paced, because Edie only writes when something has happened or to complain when something's on her mind. There are only 205 pages, and there is so much friendship and relationship drama in the first half of the novel that the pages fly by, and before long I was on the ferry with Edie, on the way to Paris for the photography trip!

Having read a previous edition, I was interested to see what changes would be made. Apart from the inclusion of an author's afterword, all of them are quite superficial - cultural references updated, sentences cut to improve the flow of the text - but it was quite weird to me to imagine Edie and Dylan walking around in 2013! Because I've been reading the 2004 edition about once a year since it came out, in my head I had them frozen in that time, wearing clothes that I thought were cool when I was a teenager. Art boys were better dressed back then, I'm afraid to say. Nowadays they all seem to wear the same checked shirts and skinny jeans and beanie hats (as described at one point in the novel) - I kind of preferred them in baggier jeans!

I would recommend French Kiss to fans of books featuring moody boys, friendship drama, and amazing kissing scenes. I've read hundreds of books since I read this for the first time, and I still think that French Kiss has some of the best kissing scenes of all time. The Louvre. The discotheque. The hotel room...



Previously: I introduced the Diary of a Crush trilogy in my first Celebrating Series post!

Next up: I utilise my hard-earned Polyvore skills and play dress-up-Edie!

Book Review: The Secret of Ella and Micha, by Jessica Sorensen

Ella doesn't want to go back home, but her first year at college is over and she can't avoid going back to confront the reality she ran away from: her past, and her fears about her changing relationship with Micha, her best friend since childhood. Micha had refused to let her go, telephoning colleges and asking for her, hoping that he could find her and explain his feelings. Now she's back, he wants to make his move, but she is determined to cling to the calm and collected façade that she built during her time away, to protect the old, impulsive Ella who couldn't handle her life anymore.

If you follow me on Twitter, you might have noticed that I'm quite positive about the concept of 'New Adult'. As much as I love YA and always will, I've been wanting for years to read more coming-of-age stories about characters in their twenties. I like the idea of a marketing category for books like this to make them easier to find - I think anything that helps people find books they might enjoy is a good thing. When I was invited to read and review The Secret of Ella and Micha, a New Adult title that has already made the bestseller lists in the USA, I jumped at the chance, because I hadn't read any New Adult books before and I wanted to see what the hype was all about.

The Secret of Ella and Micha is essentially a romance, albeit one in which the protagonists also have serious family issues to deal with. Unfortunately, this book was the next book I read after the wonderful Pushing the Limits, which probably set it up at a bit of a disadvantage, especially as it features similar issues. The Secret of Ella and Micha is definitely more adult, and maybe more realistic in some ways, but I have to admit that it didn't move me in the way that Pushing the Limits did.

The Secret of Ella and Micha is a much shorter book, and the characters are all drawn more quickly. My favourite thing about this novel is the setting. Ella and Micha's background is almost completely different from mine, and I enjoyed discovering this small town where the young people have nothing much else to do than throw parties and go drag racing. I thought Lila, Ella's roommate, was really intriguing and enjoyed finding more out about her.

When it came to the romance, I often wished that Ella and Micha would just get on with it, instead of acting up around each other and attempting to resist the inevitable. Many readers will probably enjoy the drawn-out tension, but I found myself wanting the story to hurry up so that I could find out how things would work out once they decided to date, and see how they would handle all the challenges of life together.

I didn't feel like the story really needs to be New Adult, because although Ella is a university student, almost all of the action takes place in the town where she grew up, and apart from her student status providing a reason for her to have left town for several months, and to return bringing a stranger (Lila), it doesn't add anything to the story. Ella might as well have been a teenager who moved away with a parent or other relative and then came back. The story was more about resolving issues from her past than negotiating her future, and I think I would have been more excited about it had it been the other way around, because that's the kind of content that I want to see in New Adult. Maybe Ella's future is dealt with more in the sequel, The Forever of Ella and Micha. I'll have to read some reviews and find out.

This is quite a minor criticism, but I think the text could have done with an extra proofread or two - I spotted several spelling, grammar and formatting mistakes.

I'm not entirely sure that The Secret of Ella and Micha was my kind of book in the end, but if you're looking for a romance that touches on tough subjects, it might be one for you. Honestly, it seems likely that I'll skip the second in the series, but I might keep an eye out for the third, The Temptation of Lila and Ethan, as I found Lila and Ethan, Ella's roommate and Micha's best friend respectively, to be quite likeable and interesting, and I wanted to know what was going on between them when they went off alone.

Book Review: Pushing the Limits, by Katie McGarry

Echo Emerson wasn't always an outcast. Last year, she was popular, an accomplished painter, on the school dance team, and dating Luke, one of their school's top sports players. She had everything, at least on the surface,  though she was struggling to deal with her parents' divorce and the death of her brother Aires in Afghanistan. But that was all before the incident at her mother's house one afternoon that left her with scars on her arms and torso, and no memory of what happened. She knows her mother was responsible, and that now there is a restraining order to keep her away, but nothing more.The only thing Echo is looking forward to is leaving to go to university, but her father won't let her take art classes anymore, pressuring her to study accountancy at university instead.

Mrs Collins, the new school counsellor, doesn't seem much better than all the other professionals Echo's seen since the incident, but then she offers her an opportunity to make some money, which Echo desperately wants so that she can finish fixing up the car that Aires dreamed of getting running.

To earn this money, Echo has to tutor Noah, our other narrator: failed by the social care system, angry at the world, but desperate to gain custody of his younger brother once he graduates. Echo and Noah both resent this setup at first, despite their mutual attraction, but slowly they become an important part of each others' lives.

I have to guiltily confess that my expectations of Pushing the Limits were not that high. It's been changed on the final edition, but the tagline on the front of the proof copy (received at the first Mira INK bloggers' party) is 'A bad boy. A lost girl. An unforgettable love'. I do not generally like 'bad boys' as love interests, and despite all the positive reviews I'd read I just didn't think that Pushing the Limits could be that good. I was wrong. I loved it from the start.

I thought the characterisation was just fantastic. Of course I loved tentatively willful Echo, desperate to find out what exactly her mother did to her and struggling to break free from her father's control, and determined Noah, who is full of angry emotions yet loves his brothers above all else, but the secondary characters are interesting and well-developed as well. Mrs Collins is clever but flawed, excellent at understanding the teenagers but a terrible driver, and usually right, but not all the time. Echo's dad is demanding and controlling but we can see that he does want the best for Echo. Echo's mother, probably the most challenging character to portray fairly, is frighteningly believable. I also loved Echo and Noah's friends - beautiful Lila, who is always on Echo's side, provides a nice contrast with impatient and socially-paranoid Grace, and Isaiah and Beth are essentially Noah's true family, both caring towards him and self-involved at once. Even when the characters behave selfishly, they still have sympathetic elements, so no-one that features 'on screen' is easy to hate.

I loved Echo and Noah's relationship - yes, the scenario in which they get together isn't the most likely or original, but they seemed like a believable couple. They're in lust from the start but when their feelings develop, it doesn't seem rushed, and when they have relationship troubles, Noah gives Echo the space she needs, unlike some fictional couples that harass each other until they give in, something which is presented as romantic but isn't the healthiest or most successful technique in real life.

The novel is in first person; the chapters alternate between Echo and Noah's narration. Katie McGarry takes full advantage of this to show us the differences in the ways that Echo and Noah view each other, their relationship, their friends, Echo's father, and life. They very rarely agree on anything immediately, and the alternating chapters make it clear to the reader when they are interpreting events and the motivations of other characters through their own biased lens. For example, Echo sees her father as overbearing and controlling, and is convinced that he doesn't love her, but Noah sees him in quite a different way.

Some of the dialogue was a little stilted, and both narrators, but especially Noah, suffered from the oft-bemoaned YA cliché of mentioning eyes/hair/scent too much. I did roll my eyes every time someone's scent was mentioned, but then I always do because I almost never notice anyone's smell, and if it is them and not perfume, then it's terrible BO, cigarette smoke, or just a nice human-y smell. Not vanilla or cinnamon or woodsmoke!

In terms of plot, I have to admit that I guessed how things would work out for Echo and Noah at just a few chapters in, but there is so much else going on in this story besides the main plot that there were still plenty of small surprises, and the story is so convincing that I didn't mind at all. My only other criticism is that I didn't really get much of an impression of the town in which the story is set, but again, I don't really mind that much as the characterisation is so amazing, and as both a reader and a writer I treasure good characterisation above all else.

In short, Pushing the Limits is an incredible novel that far surpassed my expectations. It's rare that I read or watch or listen to a story and feel completely sure that the author knows every single one of her characters inside out, the way that Katie McGarry must do. I am thrilled that I already have Dare You To waiting on my TBR pile, and will look forward to her future work - hopefully she has a long and prolific career ahead of her!

Book Review: I'd Tell You I Love You, But Then I'd Have to Kill You, by Ally Carter

 

The students and teachers at the Gallagher Academy for Exceptional Young Women pretend that the school is an exclusive private school in order to hide the fact that it's a government-funded institution, intended to train future spies. Cammie Morgan, the headmistress' daughter, enjoys every part of this charade until one night, on a practice mission, she meets a boy from the town who assumes that she is just as normal as he is. Cammie thinks he's cute. Her friends think he's a enemy agent. And her mother can't possibly be allowed to find out about their burgeoning relationship.

Looooooong title. Short book. I'd Tell You I Love You, But Then I'd Have to Kill You is a quick, fun story set in a fabulously unusual school. I loved all the little details - from the lesson topics, to the mechanisms that disguise the building's real purpose when outsiders arrive. The mission scenes are exciting and funny and I really looked forward to the dramatic final operation. I also loved Cammie's friends - the mix of characters in the group is a bit of a YA cliche, but it works in whimsical stories like this, and they're all intelligent, hard-working, determined young women. I think Liz, the clumsy genius, is my favourite, but I suspect that my opinion is subject to change!

Cammie has a lot to juggle: secrets, feelings, and spy-schoolwork, and at times I felt like that the book jumped potentially interesting scenes. An example from the start of the book - Cammie skips over telling us about the homecoming of her school 'sisters' and why they stayed up all night, and I thought that could have been such a good scene. I also wanted more scenes featuring Cammie and her mum together, but I expect that their relationship is explored in more detail in the rest of the series. I didn't find Cammie's voice completely engaging, and as a result, I felt slightly distanced from her, but hopefully that will also improve.

I would recommend I'd Tell You I Love You, But Then I'd Have to Kill You to fans of boarding school stories, with a caveat to bear in mind - it's intended for the younger end of the teen market. There are a few serious moments, but for the most part, it's a gentle and light-hearted read.

Book Review: Spellbound, by Cara Lynn Shultz

Photo by Richard Hurd

After Emma Connor's stepfather nearly gets them both killed with his drunk driving, and she becomes the centre of school gossip, her aunt Christine offers her a place in her home and at the school she is on the board of, Vincent Academy in New York City. Emma gladly accepts, resolving to strive for a quiet life and tell none of her new classmates the truth about her past. But that plan gets thrown to the wayside when she meets Brendan Salinger. She thinks she just has a crush and nothing will come of it, but his interest in her becomes more and more obvious. Then she begins having vivid dreams, all set in past eras, in which she dies, and her twin brother Ethan, who died when they were fourteen, tries to warn her. As Emma follows the supernatural clues scattered all over their lives, she begins to fear that their growing love will lead to her death, again.

Spellbound is basically a Cinderella story - girl with tough family life gets rescued by fairy godmother (aka Aunt Christine) and introduced to handsome, wealthy prince (Brendan). The backbone of the novel is a cliche, but when the Mira Ink team described it as 'Gossip Girl with witches', I was intrigued, so with some trepidation I plucked Spellbound from the depths of my TBR stack.

I was pleasantly surprised. For the most part, Spellbound is an easygoing supernatural romance, but it has charm (pun intended) and a sprinkling of wit. I liked the characters, especially Emma, who narrates the story, her enthusiastic younger cousin, Ashley, and Angelique, the knowingly described school goth/witch. I enjoyed the silly friendship dramas, in which characters mostly just glare at each other across a room, and the insult-slinging, though I think Emma is a bit too judgemental when it comes to her arch-enemy Kristin's boy-obsessed nature. I also enjoyed the action scenes, especially the last one, which really had me on the edge of my (train) seat.

I was less convinced by the romance, but that's down to personal taste. Firstly, Brendan is not my type, partly because 'bad boys' do nothing for me, and partly because of his name. I hold my hands up and confess: Hollyoaks ruined the name 'Brendan' for me forever. Fans of the mustachioed one may disagree, but it is not a 'hot boy' name.

Secondly, it is heavy on the ol' instalove. If you hate instalove with an eternal, all-encompassing passion, you should probably avoid Spellbound, but if you only hate it some of the time, you might still enjoy Spellbound. The instalove here didn't irk me as much as it usually does because a) Emma and Brendan were lovers in their past lives, and b) Emma is aware of the potentially destructive influence Brendan has on her life. However, as I've said before, I do prefer to read about relationships that grow at a more moderate pace.

Although it is the first in a series, the ending is quite neat, and there are few clues as to where the plot will go from here. Until I read a preview of the second book, which is about the continued supernatural problems that Emma and Brendan have to face, I was hoping that it would have a different narrator. As much as I liked Emma, with her witty one-liners and seemingly endless supply of courage, I would happily leave her be to read a story from the point of view of Angelique, or Jenn, or somebody else at Vincent Academy. I'm not sure that I want to revisit the mind of loved-up Emma, because once she started dating Brendan, she became less interesting to me, repeatedly telling us how plain she feels in comparison to her super-attractive boyfriend, and describing his eyes. I  I don't think eye-obsessions are unrealistic, one of my closest friends (aged 28, I hasten to add) will happily blather on about her boyfriend's eyes for half an hour at a time. But I do find it annoying, so she is banned from mentioning the word 'eyes' in relation to her boyfriend (she tells me about her cat's eyes instead), and I struggled to resist skipping over all the eye descriptions in Spellbound.

Will I read Spellcaster, the sequel? Hopefully. I am keeping a open mind about this series. I did enjoy Spellbound, despite Brendan not being quite my type, and I want to find out what happens next.

Thank you to Mira Ink for the review copy. Please note that this review was based on an uncorrected proof.

How do you feel about instalove? Do you think it's acceptable in some stories, such as this one?