Book Review: Bonjour Tristesse, by Françoise Sagan

Bonjour Tristesse is the story of one summer in the life of Cécile, a seventeen year old girl, and her father, Raymond, a wealthy widowed womaniser, aged forty. Cécile has failed her recent university exams, but doesn't much care - she doesn't have to with her father around to support her - and all she wants to do is swim, lay around on the beach, and fall in love temporarily with Cyril, a young man she meets in the sea. She is comfortable and innocent in her hedonistic life, with no mother and a careless father who she barely knew before her return from boarding school to start university in Paris.

Raymond has brought along Elsa, his current, twenty-nine year old, mistress, so Cécile is greatly surprised when it turns out he has also invited Anne, who is forty-two and has a much more serious personality than theirs, to stay with them. Gradually Cécile notices that Anne is really much more beautiful and clever than Elsa, and she realises that her father will soon make Anne his new mistress.

She has the shock of her life when Raymond announces that he intends to marry Anne, and when Anne makes it very clear that she will change their lives forever. Cécile is torn - she admires Anne and imagines she will be moulded into a better person by her stepmother, but she loves her easy, carefree life and mindlessly following her impulses and passions. Anne wants Cécile to study for her exam retakes and to stop seeing Cyril, and Cécile rebels, pretending to study whilst really plotting and sneaking out to meet Cyril and Elsa. She plans to use them to break her father and Anne up, even though she knows it is wrong. She imagines that if she changes her mind, she can stop the plan at any moment, manipulate everything as she chooses, but she is tragically wrong.

This is an very short novel, translated from the original French, the edition I have read and am reviewing was translated by Irene Ash for Penguin books. It is told in first person from Cécile's point of view, and the detail of characterisation reflects her interests - Anne is the character that is depicted in the most detail, whereas Raymond, Cyril and Elsa are drawn quickly and are not really explored. Cécile has no interest in anyone but herself normally, but Anne is a threat to Cécile's way of life, and a woman completely different from her but equally skilled at manipulating people. This story is completely free from obvious moral or ethical criticism, Cécile and Raymond do not judge their own actions, they simply do not care about anyone or anything enough to do so, and it is left for the reader to judge the characters and their behaviour, which I feel gives the book more of an impact.

I found this book to be a quick, absorbing read, and I would recommend it to anyone with a spare couple of hours! I just got the 1958 film adaptation out of my university library and am looking forward to comparing the two.



Wikipedia entries, on the author and on the book

Book Review: Shifu, You'll Do Anything for a Laugh, by Mo Yan

This is a short story collection by a writer who has been described as a Chinese Kafka, and whose magical realist style is compared to that of Gabriel Garcia Marquez. There are eight stories of varying length, written over twenty years, and a preface.

My favourite part of this book was actually the preface, which was absolutely amazing. Mo Yan talks about why he writes, explaining how hunger and loneliness were his muses, how his life growing up in China prepared him to write. It's a really fascinating glimpse into the mind and life of this writer.

The stories have a range of different themes, all relevant to contemporary life in China. Love, politics, unemployment, and the effects of the one-child-law all feature. There are some very funny but dark moments. Most of these stories lack happy endings, instead they show how people get in the way of each other's happiness and how trusting hearts are broken when people innocently believe the lies of those in power.

Although I was fascinated by the culture in these stories and found the descriptions of the Chinese landscape very beautiful, and admired Mo Yan's skill, I was never truly drawn into the stories. I suspect that this is the point, however. Readers are not supposed to escape into Mo Yan's writing, they are meant to be entertained but take away the messages and critiques of society that the writer offers. I did appreciate this, but it means I didn't get hooked on the book and was happy to finish it over several weeks, reading on train journeys mostly. Although there are parts of these stories that I will probably always remember and I may re-read the preface at some point, I can't imagine reading the whole thing again.

I would recommend this book to fans of Mo Yan's novels, short stories in general and magical realism, and those interested in contemporary Chinese life. The stories and preface are extremely well-written and you can take a lot away from this book. It is a short book, only 224 pages long and is ideal for reading on the train or whilst otherwise travelling as it will slip into a decent sized handbag or rucksack easily.

Book Review: Lazy Eye, by Donna Daley-Clarke

I went on a writing course last year and this author was one of the instructors, and I decided that I must read her book, and eventually I did last month.

This story is told in three sections, the first and third from the point of view of Geoffhurst, nineteen year old owner of the lazy eye of the title, whose understanding of devastating events in the family life eight years ago is very different from that of the second narrator, his aunt Harriet, his mother's twin. They are both sympathetic characters with distinct voices and the story builds up really well, giving you more and more information as well as more and more reasons to trust or distrust the narrators, until finally all the pieces are laid out and we find out, as Geoffhurst does, what really happens.

The writing style is beautiful, there are some lovely turns of phrase in this book that show startling observations or sharp metaphors. Chapters and scenes are split up in a really interesting way - with pictures, word definitions, weather forecasts.

I thought this book was excellent, despite the slow revelation of facts the characterisation was great and interesting enough that I didn't want to jump ahead and find out what happened too often.

Extracts are available to read here.